陳采鋆 純藝術 碩士預科

我的創作經常受到生活的啟發。在上海疫情封控期間，有限的行動空間放大了中國公共制度和輿論控制的問題。我制作了一個裝置作品結合影像播放《紅 黃 綠》。裝置中巨大的問號象征著我們心中的所有疑慮。被黃色柵欄囚禁的焦慮的“我們”籠罩在權力的紅燈中，希望喚醒觀眾反思當前的政策和生活條件。

在另一個作品《進退兩難》中，希望討論當代社會消費主義制造焦慮，極力營造“夢想工廠”。消費主義侵蝕了人類的思想，人們陷入越焦慮，越消費；越消費，越焦慮。該裝置作品中的快遞盒與廣告播放的聲音代表我們日益堆積地欲望。洗腦式的廣告詞，試圖重塑著人們的價值觀。我希望反對透支消費主義和物質至上的錯誤價值觀。讓觀眾意識到廣告營造的幻境，反思除了購物給人帶來的即時快感。

在我的工作室實驗中，我最期待創建與嘗試一種更創新的藝術表達方法，不斷推動我的藝術思考。

My creations are often inspired by life experiences. During the period of the COVID-19 lockdown in Shanghai, the limited mobility amplified issues concerning China's public institutions and media control. I created an installation piece combined with a video projection called <Red, yellow, and green>. The installation featured a giant question mark symbolizing all our doubts. The anxious "us" confined within yellow fences were enveloped by the red light of power, aiming to awaken the audience to reflect on current policies and living conditions.

In another work <Dilemma>, I aimed to discuss the anxiety generated by contemporary consumerism and the creation of a "dream factory." Consumerism erodes human thoughts, leading people into a cycle of increasing anxiety and consumption. The more anxious they become, the more they consume, and the more they consume, the more anxious they feel. The cardboard boxes in the installation and the sounds of advertisements represent our ever-growing desires. The brainwashing-like slogans attempt to reshape people's values. I aspire to challenge the erroneous values of overconsumption and materialism, making viewers aware of the illusions created by advertising and encouraging them to reflect on the immediate gratification provided solely by shopping.

In my studio experiments, I am particularly excited to create and explore more innovative forms of artistic expression, continuously propelling my artistic thinking.

文件：CHEN Caiyun 15 Untitled 2022 靜物圖 05-07

無題 2022

裝置、紀錄片

充氣不倒翁、柵欄、紅色燈

Untitled 2022

Installation and documentary

Inflatable tumbler, iron bars, red light

Variable size