余潤喆 建筑設(shè)計 本科預(yù)科

對我來說，建筑是技術(shù)與美學(xué)的完美融合，是左右腦融合的產(chǎn)物。近年來，人工智能技術(shù)的出現(xiàn)，通過其快速的繪圖和計算能力徹底改變建筑設(shè)計。雖然人工智能可以對行業(yè)產(chǎn)生重大影響，但卓越建筑師所具有的獨特人文素質(zhì)仍然是不可替代的。一個真正出色的建筑師需要的不僅僅是工程師的頭腦；他們需要一顆富有同情心的心，對多元文化和歷史的理解，道德，公共責(zé)任感，以及更多。

在項目《解構(gòu)與重建：戰(zhàn)爭與和平》該個人探索項目著眼于戰(zhàn)爭對景觀留下的傷痕。懷著對歷史戰(zhàn)爭的濃厚興趣，我的目標(biāo)是理解解構(gòu)——從大規(guī)模武器的使用到隨后對和平的追求。

另一個項目《透過報攤反思上海不斷變化的城市景觀》關(guān)注的是過去的二十年里，上海的街頭變革。報攤，曾經(jīng)是印刷媒體和社區(qū)互動的活躍中心，在我的童年時代是熟悉的景象。它們是人們購買最新期刊并與和藹的老板進(jìn)行隨意交談的地方。然而，數(shù)字革命已經(jīng)使這些古雅的象征變得過時，因為它們不敵互聯(lián)網(wǎng)的蔓延勢頭而逐漸消失。該項目深入探討了上海加速的城市節(jié)奏與報攤消逝的對立。它是對昔日較慢節(jié)奏如何被城市迅速節(jié)奏所取代的視覺和概念探索，只留下了過去的回聲。

最后在《超現(xiàn)實主義對建筑設(shè)計的影響》項目，以我偏愛的藝術(shù)家馬列維奇及其標(biāo)志性的超現(xiàn)實主義風(fēng)格為題材，向他致敬。它旨在解構(gòu)和重組他的一幅藝術(shù)作品，構(gòu)思出一種能夠展現(xiàn)超現(xiàn)實主義對建筑設(shè)計潛在影響的裝置。

YU Runzhe

Architecture Design

Architecture, to me, is the perfect fusion of technology and aesthetics, engaging both the left and right sides of the brain. In recent years, the advent of AI technology promises to revolutionise architectural design with its rapid drawing and computational capabilities. While AI can significantly impact the industry, the distinctive humanistic qualities that exceptional architects possess remain irreplaceable. A truly outstanding architect needs more than just an engineer's mind; they require a compassionate heart, an understanding of diverse cultures and histories, ethics, a sense of public responsibility, and much more.

In the <Destruction& Construction： War and Peace>, I was focusing on the scars war etches into landscapes, this exploration is personal. With a keen interest in historical warfare, my goal is to understand the full scope of destruction—from the use of massive weaponry to the subsequent quest for peace.

In the second project <Reflecting on Shanghai’s Evolving Landscape Through Newsstand>, my journey growing up in Shanghai over the last two decades has been marked by significant transformations. Newsstands, once vibrant hubs of printed media and community interaction, stood as familiar fixtures in my childhood. They were places where one could purchase the latest periodicals and engage in casual conversation with the congenial proprietor. Yet, the digital revolution has rendered these quaint icons obsolete, as they succumb to the relentless tide of internet proliferation. This work delves into the dichotomy between Shanghai's accelerating urban rhythm and the newsstands' languishing presence. It's a visual and conceptual exploration of how the slower pace of yesteryear is being eclipsed by the city's rapid tempo, leaving only echoes of the past.

The <Suprematism Impact on Architectural Design> concludes with a tribute to my preferred artist, Kazimir Malevich, and his iconic style of Suprematism. It aims to disassemble and reconfigure one of his artworks, conceptualizing a device that illustrates Suprematism's potential impact on architectural design.”