陳俊煒 室內(nèi)設(shè)計 本科預(yù)科

我希望可以通過室內(nèi)與建筑設(shè)計的各個方面來表達(dá)我對我的想法與對建筑、環(huán)境與人相互關(guān)系的理解。我希望我的設(shè)計可以讓作為設(shè)計師我希望讓空間有自己的語言和表達(dá)方式，與周圍環(huán)境更好地融合，并帶給用戶更加舒適和印象深刻的使用感受。

預(yù)科期間的第一個項目《soft space》的設(shè)計靈感來自于鹽田千春作品中對于的網(wǎng)和線使用。作為初學(xué)者我通過手部動作和絲網(wǎng)的翻折拉伸建立了對空間和建筑骨架的理解。通過模型構(gòu)想了一個綜合商業(yè)中心中庭區(qū)域的藝術(shù)的裝置我希望他可以兼具實用性和觀賞性，因此我將他的一部分設(shè)計成：可一些不規(guī)則形狀的長凳，而后方空間設(shè)計為行走通道，體現(xiàn)了我在模型制作期間對包裹這一視覺語言的運

《A sense of distance and belonging》是我為Prada設(shè)計的一個快閃店。在建筑整體的構(gòu)建上我參考了Prada服飾的一些廓形和剪裁，運用棱角分明的線條和大量的三角體確立了建筑的造型基礎(chǔ)，并決定用Prada標(biāo)志性的尼龍面料作為建筑的墻體。同時我將這個建筑設(shè)計為半開發(fā)的結(jié)構(gòu)，透明玻璃與實體墻形成對比，聯(lián)系了一部分的內(nèi)外空間，也為使觀眾帶來輕松的氛圍。而尼龍布則會將部分展陳內(nèi)容遮擋，以此增加神秘感，吸引外部觀眾進入店內(nèi)探索。

在我看來，隨著社會的快速發(fā)展，人們對居住環(huán)境的要求越來越高，從簡單的遮風(fēng)擋雨到如今的舒適、美觀、實用并重，這為室內(nèi)設(shè)計行業(yè)帶來了新的挑戰(zhàn)。。我希望在將來的學(xué)習(xí)中，我希望可以融合更多跨專業(yè)知識，為建筑和室內(nèi)設(shè)計帶來新的發(fā)展。

CHEN Junwei

Interior Design 

I hope that I can express my ideas and understanding of the relationship between architecture, environment and people through all aspects of interior and architectural design. I hope that my design can make the space have its own language and expression, better integrate with the surrounding environment, and bring users more comfortable and impressive experience.

The design of <soft space>, the first project during the preparatory period, was inspired by Chiharu Shiota's style of using nets and wires in her art work. As a beginner, I built my understanding of space and architectural framework through hand movements and the folding and stretching of silk screens. Through the model, I expressed my concept of an artistic installation in the atrium area of a comprehensive business center. I hoped that it could be both practical and ornamental, so I designed part of it as a bench with irregular shapes, while the rear space was designed as a walking passage, reflecting my efforts to utilize the visual language- wrapping during the model making.

<A sense of distance and belonging> is a pop-up store I designed for Prada. In the overall construction of the building, I referred to some silhouettes and cuts of Prada clothing, established the modelling basis of the building by using angular lines and a large number of triangular bodies, and decided to use Prada’s iconic nylon fabric as the wall texture of the building. At the same time, I designed the building as a semi-open structure, where the transparent glass contrasts with the solid wall, connecting part of the internal and external space, and also bringing a relaxed atmosphere to the customers. The nylon cloth will hide part of the inside display content so as to increase the mystery and attract external visitors to enter the store to explore.

In my opinion, with the rapid development of society, people's requirements for living environment are getting higher and higher, from simple shelter to today's comfort, beauty and practicality, which brings new challenges to the interior design industry. I hope that in my future study, I can integrate more cross-professional knowledge and bring new development to architecture and interior design.