趙廷蔚 服裝設(shè)計(jì) 本科

作為一個(gè)服裝行業(yè)的新人， 我?guī)е鴿M腔熱情與勇氣開(kāi)始了我學(xué)習(xí)的旅程。服裝設(shè)計(jì)不再是單一的為人們提供不同的服飾，更是每一個(gè)的自我表達(dá)。對(duì)當(dāng)代的年輕人來(lái)說(shuō)個(gè)性、獨(dú)特與審美尤為重要，這也是我創(chuàng)作的最大動(dòng)力。《西藏》一直都是我向往的地方，在和家人旅行的經(jīng)歷中，我被那里的生活與都市生活之間的差異深深吸引。所以在我的創(chuàng)作里從面料、結(jié)構(gòu)與肌理上融合了西藏傳統(tǒng)服裝的高腰裙、喇嘛的外衣與那里特有的自然風(fēng)光。布料表面灼燒的痕跡則是對(duì)西藏朝圣者長(zhǎng)途之旅的隱喻。在最后一個(gè)系列《80's Disco》，我側(cè)重于展示對(duì)黃金的八十年代的向往與敬愛(ài)。那是一個(gè)充滿了瘋狂、自由與奢靡放縱的時(shí)期。復(fù)古的閃光面料，戲劇化的人工寶石鏈條與全露背的設(shè)計(jì)都希望將你帶回那個(gè)紙醉金迷的時(shí)代。

As a beginner of Fashion Industry, I started my journey with passion and courage. Fashion is not only offering diversity cloths for people, but also everyone’s self-expression. Personally, unique and esthetic are more important for the young generation. That is the main power for my creation. “Tibet” always be my dream land, I was attracted by the different life styles between Tibet and urbanism according to my father’s travel experience. Therefore, Tibet’s traditional tall waist skirt, monk’s cassock and natural view combined in the fabric, structure and texture. Burning trace is a metaphor of believers’ long pilgrimage trip. At the last collection- “80’s Disco”, Is how the highly respect of Golden 80’s. That is full of crazy, freedom and permissivism period. The shimmery vintage fabric, dramatic artificial gemstone chain and backless design are bringing you back to that live luxury and dissipation life.