楊雨菲 服裝設(shè)計(jì) 本預(yù)

Fashion, once merely known as something related to clothing, now becomes a significant symbol carrier of self-expression and self-realization. In these three collections, I want to use my works to show people a new way of communication with both others and them. 

The third project Project Me is the most representative collection for me. In this project, I chose the movie Cries and Whispers as my inspiration to talk about the ambivalent feelings in different kinds of relationships. This movie, set in the end of the 19th century, is about three sisters and a servant who struggle with the terminal cancer of one of the sisters. The servant is close to her, while the other two sisters confront their emotional distance from each other. Nowadays, everyone is too eager to be loved by others, but fail to know how to express their feelings. Ultimately, their relationship tends to be alienated and they start to blame each other. There is an inspirational scene in this movie where the main character (Thuli) takes off layers of her clothes and changes into pajamas, which is like us being wrapped in layers of constraint and finally can be real to face ourselves. Internal hiding and external extrusion are the main points of my design, so I decided to use layers of fabric to represent the external pressure and use the design of outside underwear to represent the real self that should be shown. I hope people can reflect on their own way of self-expression through my design and start to be brave to show the real self.

對(duì)我而言，服裝不僅僅是一個(gè)跟衣服有關(guān)的詞語(yǔ)，現(xiàn)在也變成了一個(gè)人們用來(lái)自我表達(dá)和自我實(shí)現(xiàn)的重要媒介。我希望通過(guò)這三個(gè)系列的服裝作品向人們展示一種人與人之間的嶄新的交流方式。

在我所有的作品中最具有代表性的是第三個(gè)項(xiàng)目《Project Me》。在這個(gè)項(xiàng)目中，我選擇了電影《呼喊與細(xì)語(yǔ)》作為我的靈感來(lái)探討人與人之間矛盾的情感關(guān)系。這個(gè)電影發(fā)生在19世紀(jì)末，講述了三姐妹和一個(gè)仆人的故事。其中有一個(gè)姐妹得了癌癥晚期，仆人很細(xì)心的照料她，但相反的，她的姐妹們卻和她保持距離。正如同現(xiàn)在的人們一樣，每個(gè)人都非?？释粣?ài)卻不懂得如何去表達(dá)自己的情感。隨之而來(lái)的是她們的關(guān)系越走越遠(yuǎn)，甚至開始彼此責(zé)怪。這個(gè)電影有一幕最令我印象深刻：主人公Thuli一層層的脫掉自己的外衣?lián)Q上睡衣，就像我們脫去一層層的偽裝最終直面真實(shí)的自己。因此，我選取’內(nèi)部隱藏’和’外部擠壓’作為我的主要靈感元素，并通過(guò)面料堆疊和內(nèi)衣外穿的形式來(lái)表達(dá)這種感覺(jué)。我希望人們?cè)诳催^(guò)我的作品后能夠反思自己的情感表達(dá)方式，并勇于直面真實(shí)的自己。