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唐舒然 首飾設(shè)計(jì) 本預(yù)

2021.06.01

于我而言,一件首飾之所以不同凡響是因?yàn)槠湟饬x重大。

《文革中的一家人》中,我借首飾記錄了時(shí)代浩劫中我家庭的獨(dú)特經(jīng)歷——

《我父親一直是我們家庭命運(yùn)的主導(dǎo)者,對(duì)于我們和我們的母親,他帶來(lái)的只有災(zāi)難》這是關(guān)于我外婆父親的作品,也是我外婆對(duì)于她父親的描述。 他在法國(guó)博士畢業(yè)后毅然回國(guó)抗戰(zhàn),在很年輕時(shí)就成為了國(guó)民黨少將;戰(zhàn)勝后因不滿發(fā)動(dòng)內(nèi)戰(zhàn),辭去了黨內(nèi)所有職務(wù),而后仍被監(jiān)禁24年。因此我把象征少將身份的肩章與他在獄中種植桔樹的桔子形象結(jié)合,把將星與桔子做成肩章裝飾,來(lái)紀(jì)念這樣一份軍人氣節(jié)和拳拳赤子心。

《令我媽惋惜了一輩子的是那些被紅衛(wèi)兵奪走的照片》里面記錄了很多年輕時(shí)的重要節(jié)點(diǎn)。我用銀制成胸針來(lái)還原照片,紅銅模擬紅衛(wèi)兵袖章,背面的一首詩(shī)是她父親寫給她以激勵(lì)她抗擊日寇,自強(qiáng)不息。

《我們當(dāng)時(shí)最大的愿望,就是能像別人一樣做個(gè)普通人。有這份檔案,我們永遠(yuǎn)無(wú)法被別人信任》8個(gè)與破碎的檔案糾纏的小提琴碎片,正如他們8個(gè)孩子的一生被父輩的檔案桎梏。

首飾是身體乃至空間的朋友。在注定被遺忘的故事中,它更是一個(gè)很好的見證者,記錄者,和講述者。

 

It seems to me that what makes a piece of jewelry distinct is its signal.

In One Family in the Cultural Revolution, I used jewelry to record my family's unique experience in the catastrophe of The Times——

My Father was Always the Dominance of the Family’s Destiny. To Me, My Siblings and My Mom, He Brought Us Only Disasters This piece is about my grandmother's father, and it wa also my grandmother's description of her father. He became the major general in the KMT when young. Afterward, he resigned from all the poses in the KMT for his opposition to the Civil War. In contrast, he was still prisoned for 24 years. I combine the image of orange that he used to plant in prison and the epaulets for the significant general together by sand casting the oranges and filing the military stars. To commemorate his dignity and faith as a military, as well as a Chinese. 

What made my mom regrated for whole life was all the photos taken by the Red Guards. Lots of pictures of significant points in youth were lost. The brooch is made of silver to restore the photo and copper to stimulate the armband of the Red Guards. The poem on the back was written by her father to encourage her to protect our country and always be tough.

“Our only dream was to be treated like everyone else. We were never trusted by people for the files.” the 8 violin parts entangled with broken file bags indicate that the 8 children’s fate being shackled by their father.

Jewelry is the friend of the body and could extend into the space. It’s a witness, a recorder, as well as a narrator of the stories destined to be forgotten. 

PORTFOLIO

學(xué)生作品照片
 

The Cultural Revolution in My Family

The Old Picture(for 雷錦章)

Silver, Copper, Brass

3.5cm×5cm

The Cultural Revolution in My Family

The Major General (for 張光祖)

Brass, Copper, Cloth

11cm×5cm

The Cultural Revolution in My Family

The Broken Violin

(for 張宗孝/黎黎,張宗中/隱兒,張寧/寧寧,張宗愛/同生,張宗密/校生,張宗仁/蘭生,張宗義/濟(jì)生,張宗慈/蓉生)

Violin Parts, File Bags, Strings

8 pieces

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